Our Work
A look at how filming, studio sessions and editing are carried out on a typical news commission.
Scenes from the field, the studio and the edit
News video begins with a camera in the right place and ends with a file that fits a running order. These scenes show the settings, equipment and steps that sit between the two.
Handheld filming at a developing story
A single operator moves with the action, keeping the horizon steady and capturing natural sound. Handheld work suits crowded or fast-changing scenes where a tripod would cost the shot.
Tripod shot for a reporter piece to camera
A locked-off frame with a reporter, microphone and clean background. A tripod gives a steady picture for longer pieces and a consistent look across takes.
Studio interview with controlled lighting
Two chairs, soft key light and a quiet room. Owen sets the lighting and sound before the guest arrives, so the recording is ready for broadcast without rework.
Sound check before recording
Microphones are placed, levels tested and background noise checked. Clean audio is often what separates usable footage from material that needs to be re-recorded.
Cutting a package to running time
Priya lays footage, voice-over and graphics on the timeline and trims to the length the broadcaster has set. The edit keeps the story clear and the pace steady.
Logging and filing footage
Clips are named, noted and copied to the delivery drive in the agreed format. A tidy log helps your newsroom find the shot it needs quickly.
- 2012 Founded
- 5 Service areas
- 4 Team profiles
The kinds of broadcasters we work with
- Regional television
- News programmes
- Current affairs desks
- Independent producers
- Public service
- Online news channels
Ask for a quote
- Call us
- 01792 410286
- By email
- hello@reportsia.net